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Who Is the Greatest Composer Ever?

Who Is the Greatest Composer Ever?
 by: Jerry Montero

There was a short, pocked-faced, plain-looking man walking the streets of Vienna in the early 19th century. No wonder all women he proposed to rejected him and so he remained single all his life. The poor thing! As a boy, much to the chagrin of his father, he showed no signs of being a child prodigy; he was often crying, as he was forced by his father to play the piano.

And yet most scholars, musicians, and music lovers worldwide would agree with this statement: "A universal genius widely regarded as the greatest composer who ever lived, Ludvig van Beethoven dominates a period of musical history as no one else before or since." (Encyclopaedia Britannica, Volume 14, p 737a)

Music scholars and composers consider these music genres as the main ones: piano sonata, piano concerto, violin concerto, opera, mass, symphony, and string quartet. Most scholars would agree with my evaluation here:

Best piano sonata ever: Beethoven's Piano Sonata No 29 in Bb, Opus 106, "Hammerklavier" (181718)

Best piano concerto ever: Beethoven's Piano Concerto No 5 in Eb, Opus 87, "Emperor" (1809)

Best violin concerto ever: Beethoven's Violin Concerto in D, Opus 61 (1806)

Best opera ever: Mozart's Don Giovanni. But Beethoven's Fidelio, Opus 72 (c180305; 1814), follows very closely.

Best mass ever: Beethoven's Missa Solemnis in D, Opus 123 (181923)

Best symphony ever: Beethoven's Symphony No 9 in d, Opus 125, "Choral" (182224), or his Symphony No 5 in c, Opus 67 (180708)

Best string quartet ever: String Quartet No 14 in c#, Opus 131 (1826).

The string quartet is my favorite music genre because it's the most concise and elegant of all music genresit expresses deep thoughts and ideas in a few phrases, just as mathematics expresses the deep secrets of the universe using a few symbols. The languages of music and mathematics have the same ground of being. But even though there have been a few people fluent in both languages, most music geniuses have not been great mathematicians and vice versa; Beethoven often struggled with basic arithmetic.

Furthermore Joseph Haydn, the father of the string quartet, considered it as great conversations with nature. And many scholars consider the string quartet as the pressure cooker of music, the most demanding musical genre, the brightest jewel in the crown of music. It is by far the best medium to write absolute music.

Moreover Beethoven spent the last two and a half years of his life writing nothing but string quartetsOpuses 127, 130, 131, 132, and 135when he was totally cut off from society because he was stone-deaf. Doesn't this fact tell us something? He was sensing that his life on this gorgeous planet was coming to an end; he loved nature deeply and took long walks to gather musical ideas, which he jotted down using a carpenter's pencil. So he zeroed in on the most beautiful medium, the string quartet, to express abstract, concise, beautiful musical ideas.

Therefore "The five late string quartets contain Beethoven's greatest music, or so at least many listeners in the 20th century came to feel." (The New Grove Dictionary of Music and Musicians, Second Edition, 2001, Volume 3, p 106a)

Thus to me Beethoven is the greatest composer ever and his String Quartet No 14 is the greatest piece of music of all time. "...Beethoven next wrote the most closely integrated of all his large compositions. From this point of view, the Quartet of C# minor op. 131 may be seen as the culmination of his significant effort as a composer ever since going to Vienna. The seven movements [c#D(b)AEg#c#] run continuously into one another, and for the first time in Beethoven's music there is an emphatic and unmistakable thematic connection between the first movement and the lastnot a reminiscence, but a functional parallel which helps bind the whole work together. A work of the deepest subtlety and beauty...." (The New Grove, Volume 3, p 107a)

History of the Guitar

History of the Guitar
 by: Graham Howard

It is very difficult to trace a line back to the exact birth of the instrument we know as the guitar today, as there is a lot of myth and uncertainty surrounding its origins.

This is mainly due to the fact there have been a number of similar instruments throughout the ages. Many historians claim the guitar originated at various points in time. Some believe the guitar in its earliest form dates back some 4000 years, however no-one really knows for sure. This is due to a number of artworks that depict guitar-like instruments being used at various times throughout history. Many ancient Egyptian paintings portray musical instruments that could be mistaken for the guitar.

A popular theory is that the guitar could have been invented by the classical-era Greeks. This is due to confusion, however, mainly with the similarity of its name with the Kithara. The Kithara was in fact a type of harp or lyra, which bares little resemblance with the guitar other than in name.

The guitar as we know today appears to be an ancestor of the lute. The lute had four strings which would be plucked, not strummed as with a guitar. The body was oval in shape and had a rounded back. The downside of this construction was that the lute was not a very loud instrument, meaning it could not be played along side other instruments. Although missing many of the elements of todays guitar, it is an important step in the guitars evolution.

The first written mention of the guitar as a distinct instrument is from the 14th century. In this very early form the instrument had three double courses (or pairs) of strings plus a single string (tuned the highest in pitch), similar in comparison to the lute, as mentioned earlier.

The next step was in the vihuela, which originated in Spain sometime in the 15th century. The vihuela had a slightly pinched waist less pronounced than todays guitar and a smaller body then the lute. It also had added treble strings, again arranged in pairs and was made to be strummed rather than plucked as the lute was.

It wasnt until the 16th century that the two instruments were combined, in a manner of speaking, when an instrument was made with a body like that of the vihuela but closer in size to the lute.

The guitar became popular throughout Europe during the 16th and 17th centuries and by the late 17th century a fifth course of strings had been added below the other four. By the mid-18th century the guitar began to take its modern form. The double courses were changed to single strings, and a sixth string was added above the existing five. It is very unclear whether this took place in France or in Italy, but the resulting instrument was very similar to that of which we know today.

The late 18th-19th century, guitar makers changed many aspects of the instruments design. These included broadening the width and thinning the depth of the body, increasing the curve of the waist, and adding internal bracing all in effort to amplify the sound. The end result meant the guitar could now be played along side other instruments without struggling to compete in terms of volume.

The guitar became very popular with people because it was a very easy instrument to learn at least a few basic chords and songs. However, the guitar was not accepted well with the serious musical community, hence the reason there is very few concertos written for the instrument and is still dismissed by many classically trained musicians today. In the early 19th century, Fernando Sor became one of the most prolific composers for, and promoters of, the guitar as a concert instrument. It was him, and others like him, which paved the way for Andrs Segovia to emerge and help bring the guitar to the immense popularity it enjoys today.

The 20th century has seen the majority of the instruments improvements. Firstly the strings used, which were cat gut until that time, were replaced by metal and nylon ones. The classical guitar was then modified to make the steel string acoustic guitar we know today. This required additional bracing to strengthen the body, and the introduction of the truss rod to give support to the neck. Again this resulted in an even louder instrument.

Many tried to amplify the sound further by electrifying the guitar. Many of the first attempts were made by the Martin Company in the 1930s. It was here the invention of the magnetic pick-up occurred. The first amplifiers came about around the same time and were pioneered by Leo Fender.

The first electric guitars were nothing more then existing acoustic guitars that had been modified to include a magnetic pick-up. This caused many problems due to the fact that they had hollow bodies, which would resonate the sound produced by the amp as well as the strings of the guitar which creates feedback.

It was Les Paul that developed the first solid bodied guitar which he named The Log due to it being little more then a plank of wood with a neck and two double coil pick-ups attached. To make his invention more appealing he stuck two halves of an acoustic guitar on either side, giving it a more traditional look. He went on to sell the idea to Gibson who still produce the Les Paul model that you see today.

It was Leo Fender however, that really brought the electric guitar into mass production and made it available at far less a cost then all previous attempts (more on the Fender story can be seen on our History of Fender section). The first mass production guitar was the Broadcaster, which we now know as the Telecaster, which was released in 1948. He later went on to design and produce the Stratocaster, in 1954, probably the most well known electric guitar to date. Leo Fender was also the innovator of the electric bass guitar which he invented for live use along side the guitar, as a normal contrabass could not compete in terms of volume - The first model being the Fender Precision Bass.

Since then various forms of the guitar have come and gone but the main form of the instrument has rarely differed far from what we have seen from the 1950s onwards. The main differences have been in the choice of materials used in the manufacture of the guitar. This has mainly been in the attempt of producing increased sustain or simply due to the scarcity of certain woods. Nowadays a complete range of guitars are available, from the lower priced entry level models to the premium custom shop models for all of us to enjoy, what ever our level of ability.

How To Improve Your Employment Prospects as a Musician

How To Improve Your Employment Prospects as a Musician
 by: Mantius Cazaubon

How do you expand your opportunities to work in the music business? How do you improve your employment prospects? The key to doing that is developing your versatility. There are many ways of expanding what you already know how to do as a musician. It's all about using the skills that you already possess and channeling them towards related fields.

Ask yourself what your most basic skill is. Let's say you play the guitar. You will find that there are several related instruments that you can easily adapt your skill to. Instead of limiting yourself to the guitar or one kind of guitar, why not expand your employment opportunities? Why not learn to play related instruments?

There are so many guitar related instruments. How about the acoustic guitar, electric guitar, twelve-string guitar, five-string banjo, tenor banjo, ukulele, mandolin, pedal steel guitar, and so on?

You can even learn different styles of playing. Learn to use finger picks. Learn to play both pick style and finger style. Electric guitarists should probably own both jazz and rock guitars. By doing this you increase your musical scope and you will be able to take on new projects easily. There will be more variety in the music that you play. Your arrangements will not all sound the same.

You can apply the examples mentioned above to all instruments and musical skills. Let's look at a few others.

Another example is bass players. The same can be said of them. Instead of limiting themselves to the electric bass, they can learn to use a bow, play related instruments like the upright acoustic bass, learn to play both fretted and fretless basses, and use effects pedals.

Keyboard players should own more than one synthesizer. How about learning to play related instruments like organ, harpsichord and piano? Why not learn about MIDI and hook various keyboards together, along with a PC?

I could go on and on mentioning various instruments and skills and how a musician can become more versatile. Musicians must simply start with their most basic skill and expand it. This is an excellent way of ensuring that you excel in the music business.

The world is a very competitive one and you must continue to be competitive. Don't put all your eggs in one basket. Add some variety and you may be surprised at how far you can reach; and how much more money you can be making.